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Saturday, October 26, 2013

Chicago by Margot Justes


 

 
My recent release Blood Art, is set in Chicago, and I thought this would be a perfect opportunity to blog about this marvelous, eclectic, and windy city.

Why is Chicago called the windy city? Most probably because the city was trying to get the 1893 World Exposition, and as an ad campaign, the lake breeze was heralded as a city wonder. The more popular version is due to the politicians, and the hot air that continuously blows from City Hall. Either way, the name stuck. I personally prefer the more recent political version.

Chicago is multi cultural, vibrant, and has stunning architecture. Not a bad start to a city that is filled to the brim with world renown museums, an abundance of fine dining establishments, local eateries, a world renown orchestra, and theater productions that rival New York. I love this city, and play tourist whenever time allows.

My favorite museum is the Art Institute, beautifully situated on Michigan Ave-the Grand Avenue-that gives Fifth Avenue, and the Champs Elysees, a run for their money. The wide sidewalks are lined with pots of flowers, trees and miniature gardens, decorated for every season. Along with occasional sculptures, from cows to couches. Sometimes whimsical, sometimes serious, but always fun to see.

If your taste runs to architecture, you won’t be disappointed. A simple walk along Michigan Avenue, will get you the Wrigley Building, and the Chicago Tribune; if you look closely at the Tribune building, you’ll see stones imbedded from many of the world’s greatest treasures, all are labeled from point of origin.  Even out latest mega Trump Tower, has the perfect location, overlooking the Chicago River, and can be seen from the corner of Michigan Avenue and Wacker Drive.

There are many museums, but only three have the envied lake shore location; the Field Museum, the Planetarium and the Shedd Aquarium are aligned in the ‘museum complex’ in close proximity, and are a must see. All this can be yours, within walking distance , if you really like to walk, or a short bus, taxi, car, or trolley ride.

If your taste runs to modern art, just a bit off Michigan Avenue is the Museum of Contemporary Art.

Don’t forget State Street, and the loop area that has been greatly revitalized, visit the Macy’s store, that once was the great Marshall Field’s, and to me always will be.

There is the Buckingham Fountain, Millennium Park, an architectural gem, and the over used word  world renowned. The building costs of Millennium Park went way over budget, but the park has become a main tourist attraction. We have Grant Park, and an amazing lakefront, and bicycle paths everywhere you turn. Not to mention ethnic food galore; I don’t think there is an ethnic food you can think of that you won’t find in Chicago.

On the south side of the city we have the Oriental Museum, and the interactive Science and Industry Museum. This city has it all, and at a slower, more relaxed pace than New York.

I listed just a few of the main central tourist attractions, that by no means limits the rich cultural history that abounds in many neighborhoods in this city. This is just a brief glimpse of what Chicago has to offer.

Cheers,
Margot  Justes
A Hotel in Paris
A Hotel in Bath
Blood Art
Hearts and Daggers
Hot Crimes Cool Chicks
www.mjustes.com

Saturday, October 19, 2013

Blood Art by Margot Justes


I thought I’d share the first chapter of Blood Art with you, my first paranormal release.

I loved writing it, and hope you enjoy reading it.

Cheers,
Margot  Justes
A Hotel in Paris
A Hotel in Bath
Blood Art
www.mjustes.com

Chapter 1


 
Florence, Italy 1503

“I am a vampire, Leonardo.”

“I am well aware of that fact Nikolai, but you have the soul of an artist.”

“I repeat. I am a vampire. And make no mistake—I have no soul.”

As a course for survival, Nikolai lost his soul centuries ago, but there was no reason in belaboring the point. Leonardo da Vinci was entitled to his belief.

Nikolai stood in the middle of the cavernous room and looked around him. Flickering candles cast shadows on the walls. A massive wooden desk was shoved against bare brick, one end piled with old rags coated in deep and rich colors. Leonardo's palette lay on the floor recklessly abandoned, and paint splashes had spilled onto the wooden floor, filling the wide cracks between the boards. A stale oil smell permeated the room; used candles were everywhere, surrounded by mounds of spent wax. A few books were stacked up on the floor against another wall, one on top of the other. An old wooden chair pushed against a corner, stained with crimson paint; the cushion looked like a splash of blood. A tapestry covered the wall where a makeshift straw bed lay on the floor.

“I repeat. You, my dear friend, have the soul of an artist. Vampire or not.”

“I collect art, hence our deep and abiding friendship—all due to your masterful accomplishments. I have no other such talents. At least, other than being eternal, ageless, and have an uncanny ability to amass a fortune at every opportunity. Typical vampire standards; anything I want, when I want, and how I want. Staying alive for eons does allow one to become complacent. Despite the danger, eternal existence does permit certain pleasures. And for me, the building of a sizable art collection is most gratifying, and a venture which I intend to continue through the ages.” The brusque, low voice was mesmerizing in its intensity, and hid any emotion, any visible trace of anguish. He simply stated these facts as if they were nothing, and common.

Nikolai Volkov watched as Leonardo picked up burned out candles and stray brushes he had left everywhere.

“Nikolai, you support artists that are being ignored, ridiculed. You redeem us. You recognize ageless talent. I am egotistical enough to say that in the coming centuries I will survive through my art.”

“Of that I have no doubt. Again, that is why I collect your paintings; your drawings alone are incomparable. I know you will survive. And you will increase my wealth substantially.” Nikolai turned and looked at the various paintings leaning against one of the stone walls. In the corner canvases were stacked in no particular order, and next to them wooden planks.

Leonardo's studio was plain, utilitarian, and filled with finished and unfinished works of art, all of which Nikolai coveted and wanted to own. Possess.

“Yes, I am sure I will survive, but only through my art. You have and will continue to survive through other means. Ones I do not wish to think about.”

“I have paid dearly for my survival.” Nikolai touched his cheek, feeling the ridge of the deep scar on his face. That attack had been particularly brutal. The cut went all the way to the bone, and not allowed to heal. Lucrezia Borgia told him it would mar his stunning beauty and further bind him to her, both physically and emotionally. She was wrong on both counts. He considered the scar his badge of courage and tenacity.

His surreal beauty, as she had once described it, now marred by that one scar. A reminder of torture. A memory not to be forgotten. Vampires do not scar, yet that one single scar on his body remained, as if an omen of things yet to come. Centuries of memories all held within that singular ridged cut on his face that slashed down to his very soul. The one he claimed not to have.

He was tall, over six-foot-three, with hair black as night. His eyes were as blue as sapphires and frigid as the Arctic ice. Nikolai was built hard, like Michelangelo's David, and just as cold.

The lethal combination fostered first and foremost fear from man and demon alike. And admiration, from women. All women. He never lacked for company. Yet, they all left him unsatisfied, and yearning for something he didn’t understand.

“Leonardo, will you paint a portrait for me?” Nikolai spoke quietly, staring at a painting stacked against a wall, his back to Leonardo.

“You?”

“No. Not me.” Nikolai replied, his bleak smile was more of a grimace that did not reach his eyes. “This will be from memory. My memory.”

“Does she mean something to you? I assume you are speaking of a woman.”

“Yes, I was. And yes, she meant something to me.” He ran his finger along the jagged scar.

“Ah, I see. I gather she was not a pleasant memory.”

“You gather correctly.”

“I will do it for you. Tell me everything you know about her. Every single memory. Every movement. Everything you remember. Give me a perfect description of the mysterious woman. It will be my gift to you.”

“I do not wish to keep the painting.” Nikolai visibly shuddered at the thought. “You may do with it what you will. Burn it in hell for all I care.” His reply was savage.

“I see.” Leonardo replied thoughtfully, rubbing his chin. “Why do you want me to paint it?”

“To exorcise a demon. One among many.”

“Do you wish to discuss it, my friend?”

“No. Just paint the damn thing. You will be well paid.”

“No,” Leonardo replied vehemently, shaking his hand in the air. “There will be no money changing hands. I will paint it. I will not burn it; I will sell it. I do have a payment to demand of you. Once I am done, I expect to hear why I painted it. That is my demand. Do you agree?”

“Yes, damn you. I will agree to your terms. Your absurd demand.”

“Why absurd? She obviously damaged you. I would have to be an idiot not to recognize the symptoms. And I am not an idiot.”

“Yes, I am fully aware that you are not an idiot. You should be terrified of me. Yet you are not. You reason things out. You think. A vampire, even in your century, should horrify you. Yet, I do not.”

“You terrify me, all right. Your power. Your strength. Your ability to kill without thought. Your survival through the centuries. Your knowledge of the past. Yes, you alarm me, my friend.”

“Alarm…that is a milksop statement. Leonardo, look at your own drawings. You see what is to come. What does that say about you? Your work foreshadows the future. It is there, in your drawings.” Nikolai pointed to a canvas leaning against a wall. “You are more than an artist; our long discussions have proven that. You are a genius. A man of re-birth. You, here and now, could be considered demonic. That is how some would interpret your work.”

“I will ignore that. It is safer not to discuss people and their survival methods—it might be misunderstood. Fortunately for me, my work is not well understood. Most everyone sees a painting or a drawing, nothing more. Perhaps they even think I am mad. A simple man cannot interpret what I imagine simply by looking at my work. That is indeed very good for me.” Leonardo sighed. “Now, let us get back to your description of the woman.”

“Have I touched a sensitive spot?” The vampire asked, sarcasm dripped from every word.

“Yes.” Leonardo hissed between his teeth. “Now, give me the damn description.”

“Paint her as you would a beloved portrait. Make her mysterious. Enigmatic. Serene. Perfectly poised to attract attention. Paint her as the central and pivotal person in the scene. In fact blur everything else. Nothing should matter much save her face and hands. Long, beautiful fingers, elegant hands with perfect skin, relaxed. Incapable of hard work. Make her look innocent. Wistful.” Nikolai stopped speaking, and again touched his face along the line of the scar.

“Make the damn demon, the savage beast…saintly. That will be the joke for centuries to come. Paint it dark, yet give her light. A shimmer, so that she almost glows. Make her irresistible. Give her eyes that damn the soul. Eyes that see beyond the present. Is that enough for you?” Nikolai demanded.

“Yes. Do I have leave to choose the color of her hair and eyes?” Leonardo asked quietly, captivated by Nikolai’s mesmerizing voice and the tortured memories he was reliving.

“I do not care what color you choose. Dark is what I desire.”

“It shall be done. You want her to look enigmatic, a mystery through the ages. How is that for conceit? She will survive centuries, whereas I will die.”

“You, my friend, will be reborn every time someone looks at your work. But you already know that. Your art will speak for you for eternity.”

“Let us continue as we have in the past, Nikolai.” Leonardo preferred to ignore rather than acknowledge the reality of his existence. “Your life is eternal. You do not age. Let us leave it at that. Be careful not be recognized, it might endanger you.”

“I am four hundred years old. Through the centuries of battles, corruption, and betrayal, no one pays any attention to whether or not I age. Everyone is consumed with their own survival. I expect that in the future, I shall need to take better care.”

“Take better care, but live. Even if you cannot be killed, live as you have done in the past.” Leonardo spoke softly, as if afraid of being overheard.

“I aim to live better, and I can be killed; one just has to know how. I certainly do not discuss that aspect of my survival. I am alone, removed from my clan. Solitary, my lair and art my only comfort. It has been this way for centuries and, make no mistake, Leonardo—it is a lonely existence. You, my friend are a true master and you bring me a great deal of pleasure. Someday your work will be priceless. Look at your drawings. See the things I see in your work. You behold the future in front of you.”

 “Indeed.” Leonardo dismissed Nikolai's predictions with a wave of his hand. “I may need you again, after I begin the portrait, of course.” Leonardo spoke absentmindedly, stretching his fingers, already thinking about the unusual commission.

“Of course, I am always available to you. How will you explain the mystery woman?” Nikolai's curiosity got the better of him.

“I will not. There will be rumors. A model. A mistress. A wife. A requested portrait by a well to do merchant.  I myself will perpetuate said rumors,” Leonardo replied, a wide smile lining his face.

“Brilliant, Leonardo. As I have said, your work will be priceless.”

“Do you wish to change your mind and purchase the portrait?”

“No.” Nikolai shuddered, turned, and slammed the massive door behind him. He took a deep breath, a normal human reaction one he'd used so frequently that he no longer even thought about it. He walked outside and realized that had his heart been beating, it would have stopped at the mere suggestion that he keep the portrait of his tormentor and captor. Damn the Borgias. All of them.

Nikolai walked to his lair and thought about his life, lost in memories of long ago. He heard a rustle of leaves, a shrill scream, and then silence. His speed was as fast as the wind, and as quiet as death. He reached a man kneeling over the body of a woman. She lay on the ground, unconscious, her face bloody and leg twisted unnaturally, her arms outstretched. The man reached to lift her torn skirt. Nikolai lost all veneer of civility, his fury reflected in his blood-red eyes and extended fangs. He showed no mercy.

He grabbed the man, then effortlessly lifted him off the ground and threw him against a tree. He heard a crunch but didn't bother to look back. He reached down and tenderly touched the bruise on the woman's face, her split lip where the man had obviously hit her with his fist. Nikolai's touch healed her. He straightened the leg and massaged it. She would have a few bruises, but nothing that would last more than a few days. He lifted her in his arms and carried her back to Leonardo's.

Leonardo would help the less fortunate, the few strays Nikolai occasionally brought him. He always did.

On his way home, hunger struck. His fangs lengthened, but he would not feed from the vermin he'd destroyed. He'd lure someone else.

Nikolai once again pondered his existence. He'd just destroyed a life and felt no remorse. He knew that if he had not interfered, the woman would have been raped and most likely killed. He felt nothing for the life he so easily extinguished. The bastard deserved it.

Alone, Nikolai had few friends, and he chose not to search for any members of his clan, or any other vampires. He'd had his suspicions about several people he knew, but preferred not to bring any attention to his own existence.

His path to emotional survival and redemption forbid getting involved in battles not of his own choosing. He searched for his salvation and ultimately some meaning to his eternal existence. His senseless killing sprees subsided long ago. Finished. Now he only killed when necessary. To end evil, be it human or otherwise.

Nikolai thought about his captor and tormentor, and as always waited for her to come after him. Addicted to his blood, Lucrezia would move heaven and earth to get him back. She could do nothing else; the addiction was like a disease. He promised himself next time that she would not survive. He learned a great deal through the centuries, including how to outlast and outwait a demon. Patience. He had a great deal of patience for certain things. Eternity will teach you that, if nothing else.

Long ago, Nikolai escaped from his torments. He emerged into putrid air contaminated with lost souls, but he was free. Alone. No longer a captive to be tortured against his will. No longer raped. No longer beaten. No longer slashed and starved. She taught him to kill without thought, whether for revenge or retribution. He did not care; he had killed to gain physical and mental freedom.

The paintings and sculptures he'd gleaned while still a captive brought him salvation. Those pieces he took from her as payment for his suffering. She paid a heavy price for the abuse she gave, and in his mind, she would forever be a living nightmare. Her name was indelible in his memory: Lucrezia Borgia.

He'd called her the demon queen of torment, for indeed she knew how to inflict the utmost pain. The rack became a pleasure in comparison to what else he'd suffered. His limbs were stretched and pulled, his life's blood spilled, and still that wasn't enough for her. She'd turned him to keep him forever young, make him hers to use  as she pleased. Lucrezia became addicted to him, and that was her folly. His doom. Her ultimate mistake.

Once freed from her rule, and on through the ages, he saw redemption in art and the painters and sculptors who made a difference in the art world. The geniuses of the centuries, like Leonardo da Vinci, one among so few.

Nikolai's speed increased. He was eager to reach his home atop a hill, his fortress built with massive stones and rocks that allowed for defense, along with an underground chamber where he could rest in peace, unencumbered by anyone or anything. The fortress was designed so that any room could be kept pitch black—the windows tiny, the glass that was there was thick and crinkly. The curtains were made from heavy brocade that blocked all sunlight and the world outside.

Priceless tapestries hung on the walls, for warmth that he didn't need, and the pleasure that he craved. The absolute joy of holding a canvas, or feeling the texture of a magnificent tapestry, was his salvation in life, offering comfort and contemplation.

Nikolai longed for peace and searched for the one woman who would matter, who would end the unbearable loneliness. In the meantime, he did what he could to make life better for others. He tried to hide the arrogance, the strength, and all the other characteristics, everything that comes with being a vampire. Not ashamed of who and what he was, but age has taught him the old adage that discretion was indeed the better part of valor.

Through the centuries, he added to his already enormous art collection, and added to his own power as a demon.

The instinct of the vampire to survive was always present and a huge part of his survival, but he adapted to humanity. His chosen style of solitude served him well. Over time, he learned not to kill to feed, but allow his victims to survive without ill effects, and without memories of his presence. He no longer destroyed unless threatened, but then he had no mercy, his brutality hidden beneath the veneer of sophistication and age-old wisdom. But the brutality existed when needed.

His countless properties were managed by people he trusted and of whom he took great care. His people were loyal to him beyond question, and from one generation to the next, they stayed and worked with him, providing a sense of family and belonging. A ruthless businessman, he was fair and honest in his dealings with others. Betrayal was not in his vocabulary. No one crossed him; the sheer power that emanated from his presence, his cold, frigid eyes that appeared to look through to the deepest and darkest secrets of an adversary, instilled fear in anyone that he came in contact with.

Through the lonely centuries he'd had a foreshadowing of a looming battle, one he'd personally have to fight.

The when, how, and where wasn't clear as yet, but he knew it was coming.

 

 


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Saturday, October 12, 2013

Fun in Sydney by Margot Justes


 

There are many things to do in Sydney, and what to do depends on individual preferences, and time available.  I listed my favorite museums in a separate blog, but there are obviously many other things to see and do.

My daughter went to the top of the Harbor Bridge, the climb was rigorous and that bridge is mighty high, 440 ft from top to water level. I viewed it as a three and a half hour tour of terror.

I went to the Westfield Tower instead, took the elevator all the way up, and got my glimpse of Sydney from above, the easy way. I also took the off/on bus tour. It’s a good way to get a look at the whole city, you can get off and on at will, and visit museums, malls, whatever you like at your leisure.

The walking tours are always a delight. You get to see all the nooks and crannies, that you might miss if on your own. The Rocks walking tour was a perfect example. The area became my favorite part of Sydney, steeped in history with many wonderful old buildings and intricate stone passage ways in the oldest part of Sydney.

The Royal Botanic Gardens are a must. The gardens border Sydney Harbor and are next to the Opera House, Art Gallery NSW, and the Government House. It’s as if all points lead to the gardens. The grounds are vast and stunning, occasionally you’ll see posted signs ‘please walk on grass’. If you walk along the coast path, you’ll reach Mrs. Macquarie’s Chair, where the view of the Opera House is absolutely stunning.

Of course there is shopping, from many art galleries that promote works of local artists, to souvenir shops that sell Crocodile Dundee hats, the usual touristy kitsch, to jewelry stores selling all kinds of opals, and high end jewelry, and everything in between.

The architecture is magnificent, let’s not forget the iconic Opera House, the Harbor Bridge, Westfield Tower, and of course the QVB-the Queen Victoria Building-a magnificent structure with colorful glass windows, beautiful inside and out, and it’s a shopping mall.

The hotel was walking distance to Circular Quay, the transportation hub that offers ferry rides across Sydney Harbor. It was an easy ferry ride to Darling Harbor, and Manly Beach. We asked the locals which beach we should visit-Bondi or Manly-since there was no time to do both, and the majority said Manly. So Manly it was. Many locals sat on the concrete walkway and enjoyed the sun. A perfect moment to relax and take a deep breath, and watch as the birds zoomed-in, hoping to get fed.

I would recommend a travel book, I usually tend to stick with Frommer’s; the layout is easy to read, and I just tag what interests me. If you don’t want to tour the city independently, there are many tours available.

I research the hotels on line, and usually pick them based on location, and easy access to sites, or public transportation. Sometimes I book through the hotel directly, on line, or I use a travel agent; in some cases travel agents have a better deal than you can find yourself. I check all options. 

These are the places that I most wanted to see, others I missed simply because there wasn’t enough time. Do I want to go back and see more of Australia. Yes, absolutely.

I hope you enjoyed the blogs on Sydney and Cairns as much as I enjoyed writing them.
Coming soon another set of blogs on Barcelona, and a Mediterranean Cruise.

Cheers,
Margot  Justes
A Hotel in Paris
A Hotel in Bath
Hearts & Daggers
Hot Crimes Cool Chicks
Blood Art
www.mjustes.com

Saturday, October 5, 2013

Sydney Museums by Margot Justes


 

Depending on your stay, and things you like to do you won’t be disappointed in Sydney.

Aside from the Opera House, the Harbor Bridge, wonderful restaurants, and I’ve heard an active night life.  Can’t tell you much about night life-I’m an early riser, pack a full day when on the road, and am exhausted by ten. A nightcap in my hotel is about it for the night scene for me.

If your tastes run to museums, as mine does, there are a few to visit.

There is the Art Gallery of New South Wales, Sydney’s answer to the Chicago Art Institute. Overlooking the Sydney Harbor and the Botanic Gardens, it is a relaxing, well lit museum that showcases Australian Artists, and has a huge display of Aboriginal art, along with a fine collection of European and Asian, and of course Australian art. It’s a museum that is easy to visit, at a comfortable pace. I prefer the smaller, more intimate museums, less angst that I’m missing something.

Over a million people visit the museum annually. The week we were there, there was a school holiday and the museums were filled with parents and children.

The Museum of Contemporary Art, located in the Rocks area-considered to be the oldest part of Sydney. The building is modern and quite lovely, and if you like modern art, you will enjoy the visit. I found a few exhibits I really enjoyed and some that were downright funny.

The Australian Museum, established in 1827, is considered Australia’s oldest museum, and covers natural history, Australian animals, and I actually got see a Cassowary Bird. There is a skeleton room, gems, and interactive kiddie areas. There is also the Indigenous Australians display, along with local cultural heritage galleries, among them displays that highlight the Aboriginal life .

While we were there, toward the end of our visit, bits of dust and soot started coming down from the vents; it was raining all sorts of speckled stuff.  Then the fire alarm went off. The exit from the museum was orderly, no panic ensued. I don’t know what happened, but by the time we were outside, the fire trucks were already in place.

The Rocks Discovery Museum, located in the oldest part of Sydney, provides a wonderful history of the Rocks, along with a terrific collection of pre-1788 artifacts.  This museum takes you back to the beginning, when English sailors, whalers,  traders and adventurers made the area their home. I think it was my favorite area in Sydney.

The Australian National Maritime Museum, features historic vessels, along with a full-scale replica of Captain Cook’s ship, the HMB Endeavour. While I was there was an Ansel Adams exhibit, Photography from the Mountains to the Sea. That was a delightful added bonus.

There are others, but I picked the ones that most interested me.

More next week.

Cheers,
Margot  Justes
A Hotel in Paris
A Hotel in Bath
Hearts & Daggers
Hot Crimes Cool Chicks
coming soon Blood Art
www.mjustes.com